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I'm very honored that you asked me and it's Shakespeare's birthday I think today so
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the expense of spirit in a waste of shame is lust in action and till action lust is perjured murderous bloody
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full of blame savage extreme rude cruel
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not to trust enjoyed no sooner but despised straight past reason
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hunted but no sooner had past reason hated as a swallowed bait on purpose
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laid to make the taker mad, mad in pursuit and in possession so, had, having, and in quest to have
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extreme, a bliss in proof and proved a very woe, before a joy proposed, behind a dream
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All this the world well knows yet none knows well to shun the heaven that leads men to this hell
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Hearest thou music sadly, sweet to sweet swore not, joy delights in joy
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Why lovest thou that which thou receivest not gladly, or else receivest with pleasure thine annoy
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Mark, how one string sweet husband to another strikes each and each by mutual ordering
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resembling sire and child and happy mother, who all in one, one pleasing note to sing
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whose speechless song, being many, sing one, sings to thee, thou single will prove none
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as an unperfect actor on the stage who with his spear is put besides his part
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a woman's face with nature's own hand painted hast thou the master mistress of my passion
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a woman's gentle heart but not acquainted with shifting change as is false women's fashion
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an eye more bright than theirs less false in rolling Not from the stars do I my judgment pluck and yet methinks I have astronomy Let me not to the marriage of true minds admit impediments
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Love is not love which alters when it alteration finds, Or bends with the remover to remove
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Oh no, it is a fixed mark that looks on tempests and is never shaken
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Like as the waves make towards the pebbles shore, so do our minutes hasten to their end
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Each changing place with that which goes before, in sequent toil all forwards do contend
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A woman's gentle heart but not acquainted With shifting change as it is false woman's fashion
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And I'm all bright And there's less false enrolling
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Gilding the objects whereupon it gazing A man in huge long in his control It just a cool thing to do
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like on Shakespeare's birthday, put a bunch of stuff that he wrote to celebrate
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What do you think from your own work? How is your work going to be changed by Corona time
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Corona time is, it's interesting. It's, I think in a way, it's going to facilitate greater intimacy
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as counterintuitive as that sounds. I just think that, you know, by having my work be digital and knowing that I'm creating work that's going to be experienced on a
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small screen by, you know, probably mostly just one person at a time, rather than focusing on
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the limitations of that and how different that is from what I'm used to, I'd like to just put a lot
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of energy into how much more intimate of an experience that can be and how that can foster
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and even greater and more profound connection between the audience and the creator and vice versa
