0:30
I arrived one day and Devin's like, here, meet our fight choreographer, Nick Ian Law
0:38
And I was like, Nick Ian Law, who the hell is that? And then I saw him and I was like, oh, this is a man
0:46
Because the boy I remember who was called Nicky-in-law was like, I don't know, three feet tall, like 50 pounds, tiny petite
0:54
And Nick Ian Law shows up and he this like big brawny fine mixed dude like what is going on how am i supposed to get all sweaty and beat up on devon with this like big brawny fine looking mixed dude And I just like what is going on How am I supposed to get all sweaty and beat up on Devin with this like cutie
1:06
looking on? It was hard. It was hard doing my job and having him by my side
1:13
You know, I'm supposed to be looking at this man with a knife heading towards me
1:19
But instead, all I could focus on was my knife and my knife
1:23
So that was a challenge for me to like focus and like do my work and not sexually harassed, fight choreographer
1:32
During my career in United States, studying and everything, I did have a lot of classes and a lot of scenes and everything
1:40
But I have to say working with Nick during this production, it was one of probably the most memorable experience I've had
1:47
you know straight up professional guy knows his stuff worked with us the cool thing was that we had a we worked inside and then we took it outside and you guys will see the episode when the fighting happens on the roof And it was just phenomenal
2:07
Like the focus on the details and everything, across the board in the entire season, you'll see some real-time stage combat, real-time fighting
2:20
It was cool. It was a bit more challenging than I thought it would, no, it was definitely as challenging
2:26
I thought it would be... No, I didn't think it was going to be easy
2:30
but it was fun, and there is sort of a rhythmic element to it
2:36
where it feels like... You know, when I was talking about hair in my chest, I'm about to lose all the hair
2:40
There is a rhythmic element where it feels like dance. There's a scene where the crew and actors go at it
2:52
and he had a very, very difficult task, I believe I wouldn be able to do it because I break a bone or something But having someone be so good with sword fighting And then at the same time do stunts
3:08
Like I literally flip the guy over, and every time we did it was spot on, all the time safe
3:17
It was just a good experience. It was interesting working with Nick on the fight choreography
3:21
just because he's so, he comes at the fight from an actor's perspective
3:27
So everything is motivated by characters, motivated by objective. We're working beats
3:33
We're looking at just like what is the emotional life of the character, who they are physically and where they are in terms of the story
3:41
And I think he did a particularly great job because it was a play within the show that he was choreographing
3:47
So I think he's a fabulous fight choreographer and should be the father of my children
3:54
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